Pascal Bruckner (born 15 December 1948 in Paris) is a French writer.
Contents |
After studies at the university Paris I and Paris VII Diderot, and then at the École Pratique des Hautes Études, Bruckner became maître de conférences at the Institut d’Études Politiques de Paris, and collaborator at the Nouvel Observateur.
Bruckner began writing in the vein of the so-called "nouveaux philosophes" and counts among their best known French proponents. He published Parias (Parias), Lunes de Fiel (adapted to film by Roman Polanski) and Les voleurs de beauté (The beauty stealers) (Prix Renaudot in 1997). Among essays, La tentation de l'innocence (Temptation of innocence) (Prix Médicis in 1995) and, famously, Le Sanglot de l'Homme blanc (The Tears of the White Man), an attack on narcissistic and destructive policies intended to benefit the Third World, and more recently "La tyrannie de la pénitence" (2006), an essay on the West's endless self-criticism, translated as "The Tyranny of Guilt" (2010).
From 1992 to 1999, he was an active supporter of the Croatian, Bosnian and Kosovar causes against Serbian aggression. He supported the 1999 NATO bombings of Serbian forces led by Milosevic. In 2003, he supported the toppling of Saddam Hussein by the US forces but later criticized the mistakes of the American army and the use of torture in Abu Graib and Guantanamo.
Bruckner's polemic stance against multiculturalism has kindled an international debate.[1] In an article titled "Enlightenment fundamentalism or racism of the anti-racists?", he defends in particular Ayaan Hirsi Ali by criticizing other articles by Ian Buruma and Timothy Garton Ash. According to Bruckner, modern philosophers from Heidegger to Gadamer, Derrida, Max Horkheimer and Theodor Adorno have mounted a broad attack on the Enlightenment, claiming that "all the evils of our epoch were spawned by this philosophical and literary episode: capitalism, colonialism, totalitarianism."[1] Bruckner agrees that the history of the twentieth century attests to the fanaticism of modernity, but argues that the modern thought that issued from the Enlightenment proved capable of criticizing its own errors, and that "Denouncing the excesses of the Enlightenment in the concepts that it forged means being true to its spirit."[1]
Le Sanglot de l'Homme blanc (The White Man's Tears), published by the Éditions le Seuil in May 1983, subtitled "Third World, culpability and self-hatred", was a controversial opus. The author describes what he sees as the anti-Western and pro-Third-World sentimentalism of some of the Left in the West. The essay had an influence on a whole trend of thought, especially on Maurice Dantec and Michel Houellebecq. The name is a variation on Kipling's "White Man's Burden".